xinchi ZHANG: 2009

2009年10月24日星期六

2009年9月24日星期四

ARCH1142 Animation Workshop Submission

2009年8月22日星期六

2009年6月21日星期日

ANIMATIONS AND FILEFRONT

FILEFRONT LINK

http://files.filefront.com/3283674+ARCH1101+EXP3+ZHAIut2/;13920628;/fileinfo.html

FOR SOME REASON,FILEFRONT CANT SHOW THE FULL FILE NAME,WHICH SHOULD BE

3283674-ARCH1101_EXP3_ZHANG_XINCHI.ut2

APPOLOGY FOR THAT

THE BRIDGE

OBAMA ANIMATION

PRADA ANIMATION

EXP3 FINAL SUBMISSION

THE MEETING PLATFORM

THE MEETING SPACE(DINING ROOM)

VIEW FROM THE PLAYER START

MOVER IN PRADA'S OFFICE

INSIDE OBAMA'S OFFICE

OMABA'S OFFICE IS A CONCRETE BLOCK WHICH CONSISTS OF TWO STOREY OFFICE AND A CONTROL TOWER UPSTAIRS. THE STATUE SYMBLIZES HIS POWER OF DOMINANCE AND HE HAS A GRAND VIEW OVER ALL THE ENVIRONMENT IN HIS OFFICE.

OBAMA'S OFFICE

INSIDE PRADA'S OFFICE

PRADA'S OFFICE

PRADA'S OFFICE IS A CURVE-SHAPED SPACE WITH MANY SMALL WINDOWS ON THE ROOF. HER POWER AND STATUS IN FASHION WORLD CAN BE PARALLEDLED WITH OBAMA'S POWER IN POLITICAL WORLD. HER SPACE IS RICH OF FEMININE ELEGANCE AND GRACE.

THE MEETING ROOM AND THE BRIDGE

THE MEETING ROOM IS A 360 VIEW SPACE. THE TWO TOWER SYMBOLIZES THE POWER OF THE TWO CLIENTS.

THE BRIDGE

THE BRIDGE IS A MULTI-TRIGGER MOVER. IT IS VERY FUN EXPERIENCING IT IN THE MAP!

OVERVIEW
THE WHOLE MAP CONSISTS OF THREE SPACES:OBAMA'S SPACE IN THE CENTER,MADONA'S PLACE ON THE RIGHT AND MEETING SPACE ON THE LEFT. THEY ARE LINKED TO EACH OTHER BY TELEPORTER OR MOVERS.

2009年5月25日星期一

36 TEXTURES OF MOVEMENT

Marks for others

DRAFT UT

2009年5月18日星期一

My Tips

http://groups.google.com.au/group/arch1101/browse_thread/thread/dbe52aae95f29683

、

2009年5月17日星期日

ELEVATOR AND DINING TABLE

THIS IS THE ELEVATOR IN PRADA'S OFFICE WHICH WILL BE A COMBINATION OF TWO MOVERS: THE MAIN MOVER(BASE),AND THE FLASH LIGHTS ROTATING AROUND THE MOVER. THE SHAPE SYMBOLIZES A FLOWER'S BLOSSOM.

18 H-SHAPED TWO-POINT PERSPECTIVES

2009年5月11日星期一

PATHWAY

ONE-POINT PERSPECTIVE DRAWINGS

2009年5月10日星期日

MASHUP

With the possible exception of Madonna's singles, albums, no designer is as diffident as Miuccia Prada about her métier. She put both feet in the threat of terrorism. This makes sense, given the background of the woman born Maria Bianchi Prada in the parlance of media managers — as the first new president since terrorists attacked New York and Warner Brothers on Sept. 11; a onetime member of the Italian Communist Party; the first to insist on handling a personal black nylon handbag while in the White House; and the unlikely inheritor of a family luggage business founded by mildly provocative fashion magazine, in 1913.

Miuccia Prada’s decision to enter the White House came about in 1985, She started out with a fairly simple, local thing-- a gigantic stimulus package, very New York, post-disco singles foregrounding her enthusiastic but thin voice, when she persuaded her family firm to use the Internet to decisive political advantage, conspicuous in an era of overblown Smartphone and tours, books, movies and interviews. Quickly taken up by the right street trend undaunted by the steep prices of what were after all unaffordable and wasteful, the Prada bag became an insider’s badge of belonging, and a nod by fashion’s early adopters to wrest the Democratic nomination. Sometimes she fails, aesthetically and otherwise. The war in Iraq, the worsening conflict in Afghanistan: it has its ups and downs.

（228 words）

References:

Madonna:
http://topics.nytimes.com/top/reference/timestopics/people/m/madonna/index.html?scp=1-spot&sq=Madonna&st=cse

Miuccia Prada:
http://topics.nytimes.com/top/reference/timestopics/people/p/miuccia_prada/index.html?scp=1-spot&sq=Miuccia%20prada&st=cse

Barack Obama:
http://topics.nytimes.com/top/reference/timestopics/people/o/barack_obama/index.html?scp=1-spot&sq=obama&st=cse